It is the 22nd of July 1982. A photographer with a video camera is arranged from Mahatta Studio in Connaught Place, New Delhi. He arrives at the house. His name is Nanda, and his family originally hailed from Dinanager–the place where Shri Babaji had lived in the years past!Teri ye tasveer hai beshak karaare zindagiThy portrait is the solace of my heartTere kadmon kaa tassavur gar yoon hi kaayam rahaaIf I can remain merged in the Thought of Thy feet,These are the words with which Shri Nathji’s ghazal pays homage to the portrait of Shri Babaji.“The prophecy ends with the signatures of Babaji:Next comes the portrait of Shri Nathji in his yellow head bandanna and brown achkan, standing as if in the heavens, his hands folded in front of him, and a godly look upon his face, as if he is a Being descending from the heavens. “Guided by the hand of Priya Nath, who is directing the cameraman, the camera moves slowly on the beautiful pictures of Shri Nathji in the sitting room. IT IS THE MOST HANDSOME HUMAN FACE IN EXISTENCE. It is beauty personified. If all of creation were to assume the form of Beauty this would be the Face–the Face of Shri Nathji, divine and handsome as no emperor on earth could ever be, and divine and spiritual as only God could be upon earth. “The camera moves on to another incredibly beautiful portrait of Shri Nathji again in a Zaree ki achkan, but bareheaded. No European film star or any other handsome person in the world could match the stunning beauty of this portrait. It was the Face that Priya Nath had placed on the cover of the book, “The Advent of the Avatar”, staring out at the reader’s heart and soul.“Khushi kaa ye samaih sabko mubaarik ho, mubaarik ho “May this time of Happiness bring good tidings to all,Shri Nathji’s hands are extended upwards in a gesture of blessing humanity and he sways gently with the music. For Shri Nathji this is not a video film in which he is acting out any part. For Shri Nathji this is Reality itself.