Priya Nath discovers the wonders of the video, and at once calls a camera man from Mahatta Studios at Connaught Place to make a video film of Shri Nathji.“When Rama and Krishna came into the world there were no cameras. All the idols which have been made in the various temples are from the imaginations of the sculptors who made them. If Rama and Krishna were to see them they might even say: “Hamaari shaklen aisee thhorri thheen! Our faces were never like this!”But the inventions of science in the 20th century had made it possible to preserve the living form and voice of God upon earth on video tape.“YeShri Nathji writes another beautiful ghazal which is an ode to his ghazals:Meri Ghazalon kaa Guldastaa“May this bouquet of my ghazals be auspicious for all,One evening in a satsang, Shri Nathji says with great power and authority:“I AM THE MOST POWERFUL PERSON IN THE WHOLE WORLD! LET THE WORLD KNOW. THERE IS NO ONE MORE POWERFUL THAN ME! NO ONE!”Priya Nath wants Shri Nathji to make a full-fledged Ghazal out of his favourite verse which Shri Nathji had written as a young man:Rindon ki Talab ParThe quest of the seekers so touched the Saki of Heaven,Later there is another beautiful ghazal to which Priya Nath gives a lilting tune, causing Shri Nathji to clap and sway with divine bliss:Navaa Khush hai“Navaa khush hai, sabaa khush hai, ke saaraa gulsitaan khush hai“Melodious is the voice, the air is full of joy, and the garden is full of joy,Shri Nathji writes a ghazal that defines his role in human form as the slave of all of mankind, Ghulam Rue Zameen. The first verse of the ghazal is:Aaj iss Rue Zameen Kaa“Aaj iss rue zameen kaa phir se aayaa hai ghulaam“The slave of the entire earth has come today