As Pran Nath and Priya Nath and the devotees entered the iron gate of Savitri Nivas, the House appeared to welcome them. It appeared to be vibrating with the presence of Shri Nathji and Mahamateshwari both. “Savitri Nivas Inside was the familiar verandah, which Shri Nathji had last entered and left in September 1984. “Bhola Nath Darshanam Punyam“The darshan of Bhola Nath is a pilgrimage,These were the words of learned scholars and pandits of Akola, Maharashtra, which Shri Nathji was very fond of quoting in his sermons.“Prabhu mere sharan teri main aayaa“O my Lord, I have taken refuge in Thee”There was the drawing room with the statue, which had been the last bedroom that Shri Nathji and Priya Nath had occupied in September 1984, and which He and Priya Nath had shared over the years from 1970 onwards after the departure of Mahamateshwari and Pran Nath’s return to England.“Now my importance has lessened, because there are two Naths!”The sculptor, Veervati, said that when she was sculpting the statue out of clay she had tried to make the face serious, but a smile had forced itself upon the features! It was as if Shri Nathji was moulding His own statue! She would always refer to Shri Nathji as “How long will you keep me covered like this! I am suffocating. Meraa dam ghutaa jaa rahaa hai!At that time, the statue which was enclosed in a glass case, had been covered with a sheet of cloth.“Mussoorie kis kadar khush hai ki Bhola Nath aaye hain“How happy is Mussoorie that Bhola Nath has come”Priya Nath slept on an iron bedstead in the same room along with Shri Nathji whenever the two were in Mussoorie. The iron bedstead was placed adjacent to Shri Nathji’s bed right from 1967 till 1992 for 23 years. “The First Rays of Dawn” and Priya Nath’s humour novel, “Rigmarole” in Delhi in 1973. The Chair had been subsequently brought to Mussoorie.“Mat poochhiye vakte tanhaayi ham kaise guzaaraa karte hain“Do not ask how I spend my moments of loneliness,There were also the Persian Verses of Shri Nathji, which Priya Nath had sung on the piano at that time:“Jaame za mai baaki“I take the cup of Eternity The ‘dining room’ contained the Grand Piano purchased for five hundred rupees by Mahamateshwari for the children. The throw-away price was a miracle in itself. Bevan’s Music Shop in Mussoorie had gone bankrupt and was selling everything before it closed down. Pran Nath and Priya Nath had played the piano in the shop and shown it to Mateshwari and Shri Nathji and they had liked it.“Hamaaari aankhon men bas rahe hain“Both of them exist before mine eyes, Mateshwari would be referring to the two forms of Shri Nathji – those of Rama and Krishna.“Ashq-haa ki sooraton men phir tabassum aa gaye“Faces laden with tears have now come to smile again